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Tubedigga
MPC 3 Advanced Keygroup Editor Sound Design
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MPC 3 UPDATE ADVANCED KEYGROUPS
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MPC 3 Drum & Bass & Jungle Tutorial
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MPC 3 Firmware Update
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MPC STEMS
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MPC ONE PLUS REVIEW & DEMOS
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01:58
Color Scheme
03:03
Wi-Fi
03:16
Bluetooth
03:32
Typing in Track Names
03:49
A Plug-In of Your Choice
03:57
Plug-in Effects
04:09
The New Dura Synth Plugin
MPC Repurposing Jazz Drum Solos for Breakbeats
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How to Use MPC Song Mode
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HOW TO CREATE THE TRANSFORMERS SOUND EFFECT IN MPC
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MPCX Drum and Bass / Drumfunk Beatmaking | Something for the Weekend
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MPC Update - Mini D and Flavor Pro Demo
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MPC Fabric Plugin Sound Design | Something for the Weekend
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01:02
Program Editor
01:09
Interface
01:31
Oscillators
03:41
Independent Layer Controls
04:11
Bandpass Filter
05:55
Reverb
09:22
Filter Envelope
10:33
Save this Preset
Creating an Original Drum & Bass Break From a Jazz Record
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Teaching an MPC Beginner Via Zoom
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01:02
Chopping
03:24
Loading Samples
07:01
Creating a Drum Program
09:05
Adding a Beat
10:54
Adding Chops
12:05
Filters
13:40
Effects
18:27
Auto Chop
22:32
Exporting
MPC 2.11 Update Demo & Tutorials
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01:58
Sounds Mode
09:29
Slice Automation
11:11
Probability
13:02
Note Ratchets
14:37
Menu
19:10
Melodic Program Types
21:19
Convert to Key Group
How to Gain Stage In MPC
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00:42
Program Edit
01:38
Levels
02:23
Gain Control
04:35
Final Thoughts
How to Create LoFi Vinyl Noise in MPC with the Mellotron
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01:35
Editing the Mellotron
03:04
The Grid
03:39
Resampling
04:08
Deleting sections
04:50
Normalising samples
06:14
Adjusting Pad Volume
06:55
Outro
Exclusive Marlow Digs Sample Pack
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MPC 2.10 Remixing Using Velocity
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00:01
untitled
02:25
Amen loop 001
04:12
1 Track 01 16
04:17
Program 001
Make Your Own Breaks in MPC 2.10
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00:57
Adding sounds
02:05
Program edit
03:25
Envelopes
04:15
Hi Hats
05:08
Drum FX
06:38
Air Compressor
07:53
Pad Mixer
08:22
Snare Filter
10:18
Ride
12:10
Randomization
15:40
Channel Mixer
16:11
Outro
MPC 2.10 Update Demo & Tutorial
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00:32
FOR STANDALONE
00:46
DRUM PROGRAM EDITOR
00:52
NEW BROWSER FEATURES
04:06
CLASS COMPLIANT USB AUDIO OF INTERFACE SUPPORT
06:26
KEY DETECTION
06:43
MPC 2.10 SAMPLE TAIL
09:41
PAD PARAMETER RANDOMISATION
13:44
PITCH ENVELOPE
22:49
KEYGROUP PROGRAMS
26:20
GRANULATOR
31:59
AIR DIODE CLIP
32:59
STUTTER
33:37
CLASS COMPLIANT USB AUDIO INTERFACE SUPPORT
35:43
ADDITIONAL TRANSPORT CONTROL
36:54
UNDO HISTORY
38:05
4 NEW PLUGIN SYNTHS
43:18
MELLOTRON
45:46
ODYSSEY
MPC Basic Sample Syncing and Timing
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01:54
Sample Edit
02:01
Sample Editor
05:01
Normalize
07:00
Match another Sample to this Sample
14:28
Warp
16:40
Lfo Modulation
17:24
Pad Loop
19:24
Grid Editor
20:45
Timing Correction
21:53
Time Correction
Frequency Shifted Bass | MPC Tutorial
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DAW
00:46
Add a Frequency Shifter
01:24
Program Edit
02:30
Dry Wet Balance
MPC Masterclass Video Course
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00:31
Additional Videos and Modules
00:42
Various Project Files
00:47
Unique Sample Packs
MPC How to Chop a sample from 6/8 to 4/4 Boom Bap
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00:24
Chop the sample
05:40
Change time signature
05:45
Insert bars
08:30
Drums
12:20
Choosing a BPM
13:43
Duplicating a sequence
14:16
Clearing up the sample
15:14
Adding another sequence
16:08
Adding a compressor
MPC Memory Management
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01:01
How To Manage the Ram Memory in a Project
02:41
Delete Pad
07:49
Bounce To Sample
09:13
Key Group Programs
10:17
Delete Audio Tracks
MPC LIVE BEATMAKING
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DAW
MPC 10 BEST INSERT EFFECTS | EP1 | AIR ENHANCER
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How to Latch MPC Looping Samples
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How to Create MPC Chord Progressions
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01:56
press the main record button
04:59
add a further nine chords
05:15
grab this entire chord
09:04
create the progression you need
13:34
find a little melody out of these chords
14:52
add a filter
19:21
switch on the anti-alias filter
HOW TO MAKE NEO SOUL ON AN MPC
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DAW
00:10
put together a simple neo soul type beat using the mpc
00:43
give away a project file a drum program or a sample pack
02:20
mix in on the half time
02:46
find the suitable kick for this kind of music
04:30
name the program to drums
04:46
created a chord progression
05:15
play these chords
07:03
play about with the pickup and electromagnetic setting
08:18
increase the rate of the tremolo at the moment
08:58
put in a simple melody now with these chord progressions
10:20
adjust the swing from the main page
11:00
accentuate the kind of noisy high frequencies in a good way
11:36
get some nice lo-fi effects for these drums
12:38
create a new plug-in
13:45
play some of the notes via that keyboard
14:13
turned the glide down all the way to 10 milliseconds
14:42
set the filter to 121 hertz
16:12
follow the kick drum in the drum track
17:50
create a basic string sound in tube synth
18:16
turn up the octave to the highest
19:25
re-sample the strings
21:24
sample the chord
22:00
erase those notes back to the main page
22:21
edit samples
23:05
turn down our string chord
26:21
add little extra bits of percussion
26:52
add an air compressor
MPC Workflow Compared to Ableton Live
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03:14
create a new midi track
03:36
select the plugin icon
04:42
add vsts
05:07
create an audio track
MPC Drum and Bass From Scratch Part 4
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04:56
Sound Effects
14:20
Stabs
25:41
String Sound
26:10
Oscillator
How To Create a TB 303 Acid Bassline With an MPC
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03:37
Oscillator Page
03:56
Fine Tuning
06:11
Filter Slope
07:13
Amp Envelope
07:53
Lfo
07:58
Setup Page
08:42
Chorus
08:50
Reverb
09:20
Compressor
10:13
How I Programmed the Baseline
MPC Drum and Bass Tutorial Part 3
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05:15
remove the first 64 bars of the baseline
05:58
erase this from bar one to bar 33
06:33
add a high pass filter
10:23
build up to bar 65 before the main base
10:52
cut the break destructively from bar 65 up to bar 81
11:24
cut these notes from bar 16 to 17
12:58
drag it all the way down to the bottom
13:41
introduce a bit of delay
14:37
add some automation with the delay
15:40
take all those notes out
17:31
play this all the way up to bar 113
18:22
cut out the stabs
20:44
cut those riser sounds out every other note
21:32
play the track from the start
24:52
cut the base
28:03
add the think break in on the upper eight pads
28:17
add the break across these eight pads
28:47
cut out the pads from this track or the notes
29:16
working in one sequence for the entire song
29:54
chop out all the notes
30:58
gives us another 32 bars of our original break
31:49
set to the last bar
32:48
trigger the second bank of eight pads
33:19
adjust the semi tunes
36:31
start with the kick
37:37
loop it up to the halfway point
40:10
add a compressor to that submix
40:58
the sub mixes
42:40
affect the filter now for all of those last eight pads
MPC Drum and Bass Tutorial Part 2
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09:20
Program Edit
10:30
Time Correction
13:03
Automation Editor
14:21
Sound Effects
20:45
Velocity To Filter
21:44
Resonance
23:51
Lfo
MPC Drum and Bass Tutorial Part 1
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One Sequence Workflow for MPC
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00:55
create an amount of bars
00:59
double the length of that to 32 bars
01:31
create a simple boom bap hip-hop beat
02:35
manage additional sequences
03:16
create your first 16 maybe 32 bars
03:41
load in some simple sounds
04:33
start an npc project
04:59
bring your program volume or at least individual pad volumes down
05:25
start making music
06:02
lay a simple melody down using the built-in electric plug
07:07
using the tremolo
08:22
just find a base
08:38
press the pad pad lights up
10:00
flatten the pad
10:25
move the start point back to the start the sample
11:23
fade out the end
12:26
tap the track mix
14:54
start making additional chords
15:44
grab the whole chord
16:33
grab a whole chord
17:01
bring it back again to bar five
19:43
use an audio track
19:57
see a full overview of your song
20:27
change the plug-in name to roads
20:51
start reverse engineering the track
23:13
erased a couple of things from the bass and the drums
23:37
form your initial 16 bars
25:13
copy everything from bar 33 to bar 41
25:20
place it at bar 65
26:01
copy the entire bars from a particular sequence
MPC Granular Synthesis
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06:13
control the start position of a sample
07:39
put 16 notes in over one bar
09:27
extend the sequence to two bars
09:35
press and hold shift and press pad 6
11:28
pitch them down five semi-tunes
16:30
increasing the amount of velocity to start
16:41
move beyond the start point by using the velocity to start
18:53
draw some shapes in for the velocity to start
Mpc 2.8 Update Overview and Tutorial
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00:19
MULTITIMBRAL MIDI
03:35
2.8 USB MIDI INPUT & OUTPUT SUPPORT
06:28
2.8 SEND MIDI BETWEEN TRACKS
08:06
EDIT PAD MAP
12:22
PAD PERFORMANCE UPDATE
14:12
CREATE CHORD PROGRESSIONS IN STANDALONE
16:50
2.8 Q-LINK OVERLAY
Beginners Guide to Trap and Drill Mpc X | Mpc One | Mpc Live | Akai Force |
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01:01
Thank You
01:40
Drum Kit
03:06
Filter Envelope
03:35
Mute Group
04:30
Note Repeats
05:15
Pitch Manipulation
07:14
Key Group Program
08:00
High Hats
09:14
Tuning Hats
09:46
Melody
12:21
Bass
13:10
Sequencing
15:41
Song mode
17:07
Melodic pads
17:49
Outro
MPC MULTI TRACK LOOPER
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01:24
Demonstration
06:07
Night Repeating
08:29
Program Change
HOW TO MATCH SAMPLES TO TEMPO MPCX / MPC LIVE / MPC SOFTWARE / AKAI FORCE:
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00:12
detect the tempo of a given sample
01:09
find the downbeat and the end of the sample
02:02
adjust the amount of beats for our particular sample
04:12
choose a particular tuning
05:06
increase the speed of the sample to match
How to Chop Samples FAST Mpc Live | Mpc One | Mpc X |
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03:52
edit the actual musical sample for each pad
04:02
start adjusting the start point of the musical sample
08:12
reduce the tempo down to 90 beats per minute
11:25
adjust the pitch to match
11:53
remove the kick or the snare
12:31
turn down the volume for all pads
13:11
take off the tail to zero seconds
Mpc x Controls and Connections Guide
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00:45
with the top panel controls of the mpc x
02:03
press the pad bank button
03:30
double tap doubletap the pad bank buttons in quick succession
04:00
switch between the lower four banks and the upper four banks
05:22
use the pad bank buttons
05:56
the octave
07:40
press the last pad in pad bank h
10:00
load in a sample
12:03
choose the original tuning or the default pitch
12:57
16 levels of tuning
13:56
take a look at the filter envelope page the default filter
14:41
change it to a high-pass filter
15:47
control the filter with 16 levels layer
16:14
return it back to a low pass filter
16:26
moving the attack of the fill of the amplitude envelope
18:51
mute and unmute the tracks
19:37
look at the top of the main page
20:35
trigger your sequences
21:06
stitch together all your sequences
22:14
mix all your individual programs
22:51
edit the different modes
23:19
take you straight to your main menu
25:09
midi tracks
26:17
using the rca phono inputs
27:38
use two different types of quarter-inch jacks
28:32
control the front panel audio inputs
29:27
provides additional power to any microphones
30:36
start to hear any incoming audio
31:17
record audio tracks with this button
31:49
mute an audio track
32:14
muting the track from the main page
32:43
arrays all events in a sequence
33:34
erase every other pad
36:10
scroll up through the sequences
36:38
put in the numeric keypad
36:50
use the numeric keypad
38:20
change sequence 7 to 141 beats per minute
38:38
take a look at the settings for the tap tempo
39:46
mix or adjust the levels and volumes of your midi tracks
40:15
trigger your sample
40:37
press the locate button in the middle
41:06
use the main recall button
41:54
stop all sounds
42:18
take a look at the rest of the rear panel connections
42:56
unscrew the little silver knob
43:37
split out programs or different pads to a mixing desk
44:33
control the mpc with an external midi controller
44:37
use the midi input ports
45:17
connect a usb midi keyboard
46:03
mount any removable storage media
46:17
unscrew and feed your power cable
46:44
press and hold this for a number of seconds
49:01
configure your foot switches
49:49
get a blend of the inputs 3 & 4
50:37
hear outputs 1 & 2 in your headphones
50:48
two headphone jacks they're mini jack and quarter inch jack
HOW TO SEND PROGRAM CHANGES TO EXTERNAL MIDI DEVICES MPCX/MPC LIVE/MPC One
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02:10
set the midi channel to the same channel
02:44
send a program change to your external midi device
03:14
insert an event at the bottom of your screen
06:08
choose a sound from bank 1
06:42
select the patch
MPC X/LIVE/2.3 INFINITE SUSTAINING LOOP HACK!!!
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01:09
Background
03:20
The Solution
07:26
Outro
HOW TO CREATE DRUMS IN TUBESYNTH
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01:24
switch the track to plug-in mode
02:02
take a look at oscillator 1
02:36
switch off the delay and the reverb
02:46
take a look at the controller destinations section
03:22
turn down the level four oscillator two all the way to zero
03:37
release time
04:45
adjust the resonance to something relatively low around 20
05:11
add different harmonics for the actual overall output of the sound
06:24
adjust the start level up to a hundred percent
06:55
put in a straight 4 / 4 beat
07:02
start custom tuning this kick drum
07:52
adjust that very initial attack portion of a kick drum
08:52
adjust the envelope
09:42
adjust the pitch of the oscillator
12:47
adjust the width
13:19
bring the mix down to zero
14:38
adjust the time of the delay
15:52
adjust the high frequencies
17:50
start adjusting our parameters again for a snare drum
18:37
give us some glitchy effects for the snare drum
20:02
create a new plugin
23:52
turn the snare into a hi-hat
25:19
play about with the octave of oscillator
SP1200 SOUND EMULATION WORKAROUND MPC X/LIVE/MPC One
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DAW
02:14
pad mixer
04:53
bounce the song
05:10
add a new drum
11:55
increase your semitones
MPC 2.3 AUTOMATION GLITCH QUICK FIX
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HOW TO DJ WITH THE MPCX AND MPC LIVE
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00:36
mix and blend between two tracks
02:00
select one of your tracks
02:38
start dead at the start of the track
03:03
using the pad mixer to mix
03:57
keep your memory to a minimum
04:12
optimize the data size of your tracks
05:15
trigger this first track on pad io
06:02
bring down the volumes of your pads
06:36
set the filter to high-pass
08:24
nudge the track forward a little
09:41
start loading additional tracks
12:11
use your pad filters in the same way
13:52
set up a basic cross fader
14:46
put it in midi layer mode
15:09
adjust the volume of this pad
LIVE SAMPLING WORKFLOW FOR EXTERNAL MIDI DEVICES
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02:23
set the length to an exact amount of bars
02:45
set the recording length to an exact amount of bars
04:04
export that looper
05:24
delete all the notes
MPC LIVE/ MPCX MULTI-TIMBRAL MIDI WORKAROUND
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HOW TO EXPORT AND IMPORT SEQUENCES AND PROGRAMS
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MPCX MPC LIVE MPC 2 2 NEXT SEQUENCE MEMORY
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PROGRAM MUTE GROUP/CHOKE WORKAROUND
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00:17
Program Choke
01:25
Program Editor
02:34
Default Sample Playback
03:34
Sample Playback Behavior
03:58
Time Correction
Akai Mpc x | Mpc Live | Mpc Live Mk 2 | Mpc One : How to Automate the Start Position of a Sample
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00:04
automate the sample start point of your samples
02:11
play the samples at a particular velocity
03:13
play the sample back at different start points depending on the velocity
04:20
play back in its entirety
05:39
play back all the start points in a completely random fashion
07:01
play the sample
08:19
adjust the bpm
10:53
trigger this sample from different start points on the pads
11:10
using the velocity to trigger
12:29
use your note repeat alongside the 16 levels
How to Use the Sample Editor Mpc Live | Mpc One | Mpc X | Akai Force |
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00:23
load samples
00:44
loaded some samples into your mpc x or mpc live
02:05
add some destructive processing to this sample
02:21
put in the bin or trashed
04:20
boosts the volume of any samples
06:32
pitch shift samples
07:04
pitch that up to a maximum of one octave
08:17
stretch it by an amount of beats
09:00
use your cue links on the mpc live
09:06
adjust the start point times 10
09:39
move my endpoint all the way up to the very start point
12:14
normalize the sample
12:54
increase it by another six decibels
13:56
copy the entire sample to a new sample
15:45
extract where the drums are
17:07
create a new mono sample
17:32
view the start on the endpoint of our samples
18:00
tune the sample from here away from its root pitch
18:43
lock the loop to the start and end points
19:04
assign samples
21:23
assign slices to pads
22:04
play that back at different tempos without changing the pitch
22:33
adjust them back to the default start and end points
23:00
put it into chop mode
25:18
scroll through the sample
26:30
set the timeline units
27:13
change the new tempo
27:26
matching up with the beat divisions
AKAI MPCX & MPC LIVE HOW TO TURN YOUR VOICE INTO A KEYGROUP INSTRUMENT
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Beginners Guide to Beatmaking Akai Mpc x | Mpc Live | Mpc Live Mk 2 | Mpc One
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05:37
copy that pad to another pad
06:26
choose a mute group for those samples
08:08
switch the slice mode to pad
08:13
set the start and end points for those pads
09:12
trigger the snare with your left hand
11:07
flatten the pads
12:08
purge your unwanted samples
13:28
copy my first kick drum on to a different pad
13:47
roll off some of the top end
16:20
choose the full band parametric eq
17:18
choose the amp envelope
18:49
add a bit of low end to the kick drum
21:33
find the resonant frequency of the kick drum
27:53
add some thirty-second notes to those high hats
30:18
grab a sub bass
33:33
add some musical elements
41:30
create a fourth pad with another section
43:42
increase the length of the sequences that eight bars
HOW TO PROPERLY EXPORT MPC EXPANSIONS TO MPC LIVE:MPCX IN STANDALONE MODE
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00:45
Exporting
02:24
Output
AKAI MPC X & MPC LIVE SOUND DESIGN USING ELECTROMAGNETIC FIELDS
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HOW TO USE MPC EXPANSION PACK CONTENT IN STANDALONE MODE
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AKAI MPCX / LIVE CLIP PROGRAM WORKFLOW
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01:25
add your clips into a sequence
02:13
bouncing out the sequence to a sample
03:07
build up sequences
11:27
delete your original sequences
AKAI MPC SOFTWARE: AUTOMATING VST PLUG IN EFFECTS AND INSTRUMENTS
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00:47
Mpc Expansion Packs
05:15
Plugin Tornado
07:28
Automation Mode
09:10
Automation Lanes
09:51
Note Repeat
11:21
Vst Instruments
11:32
Track Type
13:44
Vst Instrument Parameters
14:48
Write Automation Mode
AKAI MPCX HOW TO USE THE MPCX WITH A MODULAR SYNTHESISER
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01:20
press the cv mode selection in your track
04:42
patch it into the gate input on the envelope
06:40
plug it into a mixer
07:21
control the pitch with the pads on the mp cx
07:25
control it with a dedicated coarse tuning of the shapeshifter
09:47
control these parameters in the modular synthesizer
10:25
set up a queue link to control
11:44
sweeping through our wave table in the shapeshifter
13:01
patch this into the cv input of the filter
13:54
patch that into the input of the filter
14:42
control the filtering
First Beat on the Akai MPC X
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AKAI MPC LIVE/X PITCH QUANTISE DEMO FEAT SPECIAL GUEST NINA SIMONE
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AKAI MPC LIVE/X: VINTAGE TIMESTRETCH EMULATION WORKAROUND
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00:12
Why this video
00:38
Timestretch
03:41
Warp
04:59
Chop
06:53
Looping
09:52
Chops
MPC LIVE / X: FILE STRUCTURE ORGANISATION
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AKAI MPC LIVE & X: BEGINNERS GUIDE TO CLIP PROGRAMS
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00:15
Clip Programs
05:45
Sample Setup
08:00
Pads
10:55
Start End Points
12:35
Top Pad
13:25
Semi Tuning
14:50
Warp
16:50
Mute Groups
18:40
Sample Jam
23:05
Break Patterns
24:10
Insert Effects
26:15
Fade
BEGINNERS GUIDE TO KEYGROUP PROGRAMS AKAI MPC LIVE/X/ONE/FORCE
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00:28
Keygroup Programs
01:16
Two Main Uses
03:48
Multisampled Instruments
06:12
Keygroup Options
10:13
Sample Options
Complete Beginners Guide to Drum Programs AKAI MPC LIVE/X/One/Force
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00:41
load your samples into a program
02:52
load all the sounds from that folder
03:43
assign those samples to your drum pads
03:56
assign these samples
04:22
select the different samples
06:40
put it into monophonic mode
09:24
adjust the panning beyond that master pad panning setting
10:31
trigger an additional pad with even more layers
14:45
adjust the semitones or the semi tuning for the master
15:14
control the volume
16:07
flatten the pad from any of these other pages
18:56
edit zones
19:33
apply the same filter to multiple pads
21:33
flick through the different pad banks
22:45
load the sample
23:23
automate the parameters of a midi synth
23:47
tap in some notes in the sequencer
24:14
automate the semitones
30:44
move the start point of pad 9
30:52
adjusting its default start point
31:56
reverse the sample
34:06
change the playback mode of the actual pad
34:50
loop a sample
35:16
select the type of loop
36:17
start the sample from an offset position
40:20
set an individual filter type for the different layers
41:27
apply an amount of the envelope
41:41
affect the start point of your sample
42:42
modulate the start point
44:18
press my note repeat button
46:01
change the snare group to mute
51:14
add some pitch modulation to this snare
52:24
apply modulation to the actual amp
Mpc Sequences, Tracks and Programs Explained
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02:02
create additional programs
05:03
trigger an external midi synth or another midi drum machine
05:12
created a midi program
06:02
create additional clip programs
08:24
trigger an external midi synthesizer
08:52
setting up the tracks
09:13
arrays all notes and automation data from the sequence
10:02
isolate the automation
10:20
erase the notes
12:40
increase the length of your sequences
13:04
copy all bars of all tracks
13:23
select particular events from a particular sequence
14:48
save it to a location in our directory
15:24
loop from bar one to bar 4
16:39
set an independent length for every single track
17:46
split out all the different notes
18:01
create additional tracks
20:32
bounce the sample from the track menu
20:44
bounce the tracks to an audio track
22:31
using duplicate programs
23:19
record a simple pattern into the first sequence
26:04
increase the amount of audio tracks
26:25
edit audio
26:43
press the main record
27:15
set the monitor on
27:44
delete the audio track
29:10
set the volume
Mpc X | Mpc Live | Mpc One How to use your Mpc with Ableton in Standalone Mode
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01:29
create a midi track
02:37
load in the mpc software within ableton live
03:00
choose the track type within the mpc plug-in
04:08
record them into ableton live
11:15
put it back into external sync mode
11:47
get rid of the external sync from ableton
AKAI MPC LIVE/X MIDI CC & NRPN AUTOMATION
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00:02
Midi Cc Automation
00:20
Automate the Filter Cutoff
01:20
Midi Ccs
02:58
Program Edit
06:51
Q Link Edit
AKAI MPC LIVE/X: SEQUENCES TO SONGS WORKFLOW PART 1
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01:33
renaming your actual sequences
03:18
get into the habit of creating one sequence
04:06
get a basic drum beat in over 2 bars
10:16
reduce the tempo
16:28
select the drum program
17:13
bring the low-pass filter down for the first eight bars
AKAI MPC LIVE/X: HOW TO MAKE WOBBLES
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AKAI MPC LIVE/X: AUDIO TRACKS PART 2
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03:48
load in the first audio file
04:52
try and add an additional audio track
05:15
create your new project
06:47
create a load of bars
11:55
add another couple of audio tracks
AKAI MPC LIVE/X: AUDIO TRACKS PART 1
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AKAI MPC LIVE/X: THE COLUMBO BASSLINE & MELODY GENERATOR
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AKAI MPC LIVE/X: PINGBOX WU-TANG
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AKAI MPC LIVE/X: SENDS, RETURNS, DELAYS AND REVERBS
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AKAI MPC LIVE/X: HOW TO MAKE A MORPHABLE FILTER
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00:15
What Is a Morphable Filter
02:35
Lfo Modulation
03:33
Cue Links
03:44
Q Link Edit
HOW TO MAKE A KICK DRUM OUT OF ANYTHING
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AKAI MPC LIVE/X: Alternative Sidechain Compression Workaround
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How to turn your Mpc Live | Mpc One | Mpc X into a synthesiser
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01:32
Pitching the sample
05:03
Panning
06:25
Qlink
10:01
Conclusion
AKAI MPC LIVE/X BASICS: TIPS FOR SMOOTHER LOOPS
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03:40
set the 0 snap
04:26
set a individual start point for the loop
05:05
use mono samples to loop
AKAI MPC LIVE/X: APPEND SAMPLES?
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Tubedigga Instagram Boom Bap
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AKAI MPC LIVE VS OCTATRACK: DEBATE PUT TO REST?
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AKAI MPC LIVE/X: Q Link Set Up Modes Explained PLEASE READ DESCRIPTION
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00:43
scroll through the different banks of cue links
01:06
controlling the volume of outputs 1 & 2
01:42
tap the second knob up
02:14
data wheel
03:14
select an exact pad
03:40
controlling the tuning of our first pad
04:55
load the compressor
05:59
change the tuning of pad one from our first key link
06:23
setup your lobster control for each individual program
07:02
control the filter cutoff of pad five
07:28
assign sixteen parameters
08:48
assign one parameter for all cue links
10:16
press the q link button
10:39
change the start point of your samples
10:51
change the end points for your samples
12:24
adjust the amount of time
13:02
set up this cue link patch in program mode
AKAI MPC LIVE/X: Internal Effects - Are They Useable?
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Mpc x | Mpc Live | Mpc One Time Correction and Quantisation Guide
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00:38
Time Division
02:11
Events
05:23
Swing
06:23
High Hats
07:45
Shift Timing
09:07
End Timing
AKAI MPC LIVE/X: Punch in and Out Recording
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00:13
Punch in and Out
04:15
Punch in and Out Audio
AKAI MPC LIVE/X: Polyrhythms & Track Lengths
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AKAI MPC LIVE/X BASICS: MUTE GROUP OVERVIEW
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00:18
Mute Groups
03:53
Master Page
AKAI MPC LIVE/X BASICS: Drum Programs VS Keygroups
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AKAI MPC LIVE/X BASICS: Assigning Outputs
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AKAI MPC LIVE/X: Vintage Mode VS Resample Effect
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