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Dan Worrall
How to mix in stereo... without sucking in mono (part 3)
Part 3: Fantastic Mr Phase. Haas delay is not the only way to create phase differences between left and right channels. Filters and EQ can be used to create a sense of width or depth, or you can doubl...
Mixing
00:07
start with a single guitar
01:19
create separate bands for the left and right channels
03:17
tuned the guitar high-pass filter slightly higher
03:43
visualize the difference by looking at the guitar part on a spectrum
03:59
shifting some of the low frequency energy in the guitar
04:24
pick out some of the harmonics in the mid-range
06:11
panning each part
06:59
poking the guitars up through the mixes in two different places
07:55
cut this region back from the mid channel
09:54
leave the stereo parameter at 100
10:30
creating an artificially wide stereo signal
11:30
set the stereo width back to a hundred percent
12:17
narrow the high frequencies by boosting them up in the mid channel
12:39
create a wide stereo pan sound with a rich mid-range
How to mix in stereo... without sucking in mono (part 2)
Part 2: Timing... the secret of great stereo. Timing differences between the left and right channels can sound great in stereo, and as a bonus will also seem much more spacious on headphones, but you ...
Mixing
03:25
Room mics
05:55
Harz delay
10:30
Comb filtering
13:40
Delay
How to mix in stereo... without sucking in mono (part 1)
Part 1: Toeing The Blumlein. When you pan a mono part left or right you only change the levels feeding the left or right channels, this doesn't introduce any timing or phase differences. Likewise if y...
Mixing
02:08
press the mono button on your master channel
04:48
panning left to right and back with a zero db panel
06:03
switching to a minus 6 db panel
06:47
panned to one static position
07:01
pan all your channels back to the middle
07:52
simulate a much better mix by creating a much sparser arrangement
09:11
create a wide sounding mix
11:03
notice the panning ring around the output volume knob
11:21
switch to mid / side
13:23
treat my delay and reverb return channels
13:46
pan it in the opposite direction for the dry signal
14:39
add a great sense of width
15:15
turn the stereo width all the way down for the reverb
15:28
pan it to the same position as the dry
15:58
pull up the goniometer
16:16
create phase differences between the channels
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