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Anthony Marinelli Music
YOUR Top 20 Synth Solos
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
TOP 10 SYNTH SOLOS THAT BLEW ME AWAY!
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
TOP 5 GUITAR PEDAL PHASERS I LOVE ON SYNTHS!
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
How I break down ANY sound
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
5 Mistakes People Make With Synths
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
The Beatles’ “Here Comes the Sun” - SYNTH PARTS YOU’VE NEVER HEARD BEFORE!
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
The Beatles’ “Here Comes the Sun” - SYNTH PARTS YOU’VE NEVER HEARD BEFORE!
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Talking Bass | “Dream Weaver” by Gary Wright
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Talking Bass | “Dream Weaver” by Gary Wright
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Parliament “Flashlight” | Synth Bass Tutorial
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Parliament “Flashlight” | Synth Bass Tutorial
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
How Did ABBA Create THIS on "Gimme Gimme Gimme"
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
How Did ABBA Create THIS on "Gimme Gimme Gimme"
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Lets Make the Bass from “Hot To GO!" by Chappell Roan
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Lets Make the Bass from “Hot To GO!" by Chappell Roan
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Cosmic Synth Slide | “Everybody Loves the Sunshine” by Roy Ayers
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Cosmic Synth Slide | “Everybody Loves the Sunshine” by Roy Ayers
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
“Burn Rubber on Me” | Legendary Synth Bass REVEALED
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
“Burn Rubber on Me” | Legendary Synth Bass REVEALED
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
The SCREAMING Filter: How Herman Gillis Created the Sherman Filterbank
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
The SCREAMING Filter: How Herman Gillis Created the Sherman Filterbank
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Sherman Filter in a High-End Mixer Should Be ILLEGAL!
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Sherman Filter in a High-End Mixer Should Be ILLEGAL!
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Guitar Genius Behind Michael Jackson’s Thriller | David Williams
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
01:30
What makes David Williams special
02:50
Working with David Williams
10:28
Synth Knowledge Course
11:17
Playalong
Greg Phillinganes Breaks Down Pads Behind Michael Jackson’s Thriller
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
MJ’s Sounds that Set ‘Thriller’ Apart from Every Other Pop Song w/ Greg Phillinganes
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Does Michael Jackson's Thriller Really Have 7 Basslines? Greg Phillinganes Explains
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
How We Made Michael Jackson's Thriller w/Greg Phillinganes
* THINK LIKE A SYNTH * ✅ ✏️ Learn the exact method I've used for decades on hit records & films ✅ Go to ⬇️⬇️⬇️ 🎛 Be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our mailing list ...
ProductionSound Design
Quincy Jones Life Lessons w/ Ed Eckstine
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ProductionSound Design
OutKast "Hey Ya" Synths
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ProductionSound Design
“Thriller” RE-CREATION w/ Greg Phillinganes | Premieres 11/29/24
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ProductionSound Design
Tyler, The Creator “Noid” from Cromakopia Breakdown with a Mic!
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ProductionSound Design
The Secret Behind Plantasia’s Iconic Whistle Sound
@AlexBallMusic The "Plantasia Moog" Modular Synth - An Untold Story ____________________________________ *🆓 EXCLUSIVE FREE CONTENT 🆓* ✅ Visit to sign up to our mailing list ✅ 🎛 Learn how to be in c...
ProductionSound Design
01:39
The Moog 3C
02:22
Oscillators
03:07
Filter
08:07
Adding Expression
12:30
Interruption
14:55
Outro
Stevie Wonder’s REAL Superstition Bass | Minimoog vs Moog IIIc
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ProductionSound Design
How to Make Any Kick Drum on a Minimoog | 10cc “I’m Not in Love”
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ProductionSound Design
00:37
Like Subscribe
01:02
Pitch Oscillator
02:48
Tone
05:29
Noise
07:05
Review
“Holiday” by Madonna | Iconic Minimoog Bass
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ProductionSound Design
02:17
Oscillators
03:10
Mixer
04:42
Controls
06:20
Recap
“Nuthin but a G thang” by Dr Dre | Minimoog G funk Lead
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ProductionSound Design
MJ’s “Man in the Mirror” Minimoog bass
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ProductionSound Design
01:03
Man in the Mirror
02:00
Oscillators
03:17
Decay Time
05:13
Dubstep
05:56
Final Touch
07:27
Outro
Hands-On FM Synthesis w/ TimSund & Stephan Schmitt
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ProductionSound Design
Life Changing Synth Sound by Weather Report | w/ @Doctormix
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ProductionSound Design
00:59
Joe Zawinu & Weather Report
01:17
Black Market Playback
01:45
Backwards Keyboard!?!
04:12
Black Market Sound Analysis
06:43
Building The "Black Market" Patch
09:16
Inverted Keyboard Control Voltage
11:17
Soloing BACKWARDS!
14:58
Why this sound changed my life
Let's Talk "Analog vs Digital" at Superbooth '24
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ProductionSound Design
00:04
Anthony's Intro
00:18
Interviews Begin
16:35
Anthony’s Summary (music)
16:50
Logo (music)
1 Moog Modular, 4 ARP 2600s & Endless Poly Expression with Rob Rosen
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ProductionSound Design
00:36
Anthony's Intro
00:58
Sound Sources (4) ARP 2600s (1) Moog IIIc
01:44
Expression Possibilites
06:46
Portamento, Articulations, Vibrato
07:34
Patching the Channels for Each Synth Voice
08:57
Sostenuto Pedal Effects
10:00
Re-Tuning
10:41
Musical Examples with Added Resonance
11:51
Rob Rosen Plays the Continuum
15:29
Osmose MPE Arpeggiator with Haken CVC
17:42
Osmose MPE Arpeggiator Settings
22:42
Adding Sostenuto Pedal Control
24:00
Anthony's Recap
24:32
Rob Rosen's Perspective
25:25
Final Thoughts
27:24
CTA - Thank you
27:47
Logo (theme music)
1 Moog Modular, 4 ARP 2600s & Endless Poly Expression with Rob Rosen
____________________________________ *🆓 EXCLUSIVE FREE CONTENT 🆓* ✅ Visit to sign up to our mailing list ✅ 🎛 Learn how to be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our ma...
ProductionSound Design
00:36
Anthony's Intro
00:58
Sound Sources (4) ARP 2600s (1) Moog IIIc
01:44
Expression Possibilites
06:46
Portamento, Articulations, Vibrato
07:34
Patching the Channels for Each Synth Voice
08:57
Sostenuto Pedal Effects
10:00
Re-Tuning
10:41
Musical Examples with Added Resonance
11:51
Rob Rosen Plays the Continuum
15:29
Osmose MPE Arpeggiator with Haken CVC
17:42
Osmose MPE Arpeggiator Settings
22:42
Adding Sostenuto Pedal Control
24:00
Anthony's Recap
24:32
Rob Rosen's Perspective
25:25
Final Thoughts
27:24
CTA - Thank you
27:47
Logo (theme music)
The future of EXPRESSIVE analog synths is HERE
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ProductionSound Design
00:41
Osmose Musical Example
01:11
Set Up (4) ARP 2600s (1) Moog IIIc
01:43
About the Osmose
03:05
About the Continuum
05:25
Musical Examples playing (4) ARP 2600s (1) Moog IIIc from Osmose
10:04
Our Experience Performing with Continuous Control Voltage
13:22
Sostenuto Pedal
15:22
Anthony Plays with a lot of Resonance
16:35
Musical Example - Osmose MPE Arpeggiator
18:23
Musical Example - EaganMatrix Sound Engine & Vintage Analog Modular
22:30
The Control Signals Osmose, Continuum & Haken CVC
25:17
Type of Control & Articulations
27:50
The Synth Patch on the Moog Modular IIIc
31:55
The Synth Patch on the ARP 2600s
34:36
RECAP of Control Voltage Signals Going to the Analog Synths
36:35
Controlling Each Synth Voice from the Keyboard
38:00
Anthony's Summary
38:25
CTA, Thank you
38:49
Logo (theme music)
The future of EXPRESSIVE analog synths is HERE
____________________________________ *🆓 EXCLUSIVE FREE CONTENT 🆓* ✅ Visit to sign up to our mailing list ✅ 🎛 Learn how to be in command of any synthesizer & develop YOUR sound. 📫 Sign up to our ma...
ProductionSound Design
00:41
Osmose Musical Example
01:11
Set Up (4) ARP 2600s (1) Moog IIIc
01:43
About the Osmose
03:05
About the Continuum
05:25
Musical Examples playing (4) ARP 2600s (1) Moog IIIc from Osmose
10:04
Our Experience Performing with Continuous Control Voltage
13:22
Sostenuto Pedal
15:22
Anthony Plays with a lot of Resonance
16:35
Musical Example - Osmose MPE Arpeggiator
18:23
Musical Example - EaganMatrix Sound Engine & Vintage Analog Modular
22:30
The Control Signals Osmose, Continuum & Haken CVC
25:17
Type of Control & Articulations
27:50
The Synth Patch on the Moog Modular IIIc
31:55
The Synth Patch on the ARP 2600s
34:36
RECAP of Control Voltage Signals Going to the Analog Synths
36:35
Controlling Each Synth Voice from the Keyboard
38:00
Anthony's Summary
38:25
CTA, Thank you
38:49
Logo (theme music)
MJ’s Thriller Minimoog Marimba (Synth Breakdown)
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ProductionSound Design
00:24
Intro
01:05
Marimba Playing technique description
01:51
Thriller re-creation video with Greg Phillinganes Technique preview
03:17
How to create the Thriller Outro Marimba on Minimoog
03:54
The Oscillators
04:54
The Mixer
05:17
The Filter
06:05
The Resonance Effect
06:33
The Envelopes
07:44
Re-cap the Envelopes
08:17
Modulation and Keyboard Control Voltage
08:54
Keyboard Technique
09:07
CTA
09:37
Sound Performance to Thriller Re-Creation Track
MJ’s “Thriller” Monster Growl Bass | Synth Breakdown
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ProductionSound Design
00:23
Sweep Effect using Glide
01:15
Pitch - Oscillators
02:42
Timbre - Filter
05:55
Duration - Amplifier
06:14
Keyboard Control Voltage
07:34
Recap
07:56
Arrangement & Orchestration
08:42
Thriller Re-Creation Video with Greg Phillinganes
09:13
Visit the Website
09:21
L & S
09:36
Outro (music)
09:52
AMM Logo (music continues)
Herbie Hancock “Chameleon” Synth Bass Breakdown
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ProductionSound Design
00:30
Anthony's Intro
01:25
ARP Odyssey Panel Explanation
02:12
Setting the Oscillator Pitch & Waveforms
03:06
Setting the Mixer & Voltage Controlled Filter VCF
04:05
Setting the ADSR Envelope Generator
04:59
Setting the VCA
05:37
Setting the Keyboard Control Voltage
06:56
Dialing in the Distortion
08:35
Keyboard Articulation & Phrasing
09:34
Summary of "Chameleon" Bass
10:22
Logo (theme music)
MASSIVE Live Modular Synthesizer w/ P-Thugg from Chromeo
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ProductionSound Design
00:55
Meet P-Thugg
01:11
Building the Modules / Jam 1
02:53
The MIDI Keyboards
04:53
Building the Tiers / Jam 2
06:33
Custom system by Synthesizers.com
12:15
Custom Tuner Module
13:10
Synthesizer Tuner Hack
14:10
Modular and Poly Synth Output Configuration
15:50
Look Mum, no patch cords - Hard Wired Presets
17:34
Culmination of a Modular Dream / Monster Polyphonic Dream Next
19:07
Building the MIDI / Jam 3
22:44
Fully Built Instrument (after 3 hours setting up)
24:05
Preset Patching System
29:47
Bypassing the Preset Patches
30:21
Switching Presets on Stage
33:40
Spontaneously Programming Sounds on Stage
34:42
P-Thugg's Favorite Sound
35:25
Presets Switch between Live Panel Settings
36:39
Re-creating the Album in a Live Setting
37:35
Changing The Face Panel
40:09
Patching the MIDI Polyphonic Synthesizer Keyboards
43:15
Tuning Drifting Oscillators - Custom Tuner Module
43:51
Connecting All 4 Modular Instruments
45:59
Cleaning the Chrome
46:35
MIDI Interface Routing
48:47
Moog Modular Flexibility with Minimoog Speed
49:14
Front Panel Tour
51:20
Overriding the Presets with Patch Cords / Multi-Mode Filter
53:34
AbleSet by Leolabs - Set Lists, MIDI Patch Changes, Ableton Live Playback connection
56:10
Ableton Light Cues
57:02
DAW Software - Cubase, Pro Tools, Ableton Live
57:50
Adapting the Show to the Song
59:37
Chromeo's Mission
1:01:20
Conclusion
1:01:47
Logo (music)
My Future on YouTube & Thank You 100K Subscribers!
*🆓 EXCLUSIVE FREE CONTENT 🆓* ✅ Visit to sign up to our mailing list ✅ *ABOUT THIS VIDEO* *Thank you from the bottom of my heart for watching and subscribing to this channel!* It's been inspirational...
ProductionSound Design
00:37
friends, today's artists, instrument designers
02:15
Greg Phillinganes* - note-by-note recreation of Michael Jackson's iconic song "Thriller"
04:51
Mike Dean* - an afternoon hang with mega producer, songwriter, mixer, guitarist, saxophonist and synth G.O.A.T. Mike Dean who shows us how he is the most influential figure in music over the last 20 years.
08:34
Chromeo* - In the warehouse with mastermind artist, songwriter, producer and synth visionary P-Thugg from Chromeo, building and playing his biggest touring synthesizer in the world.
12:44
Alex Ball* - a sneak peek of Alex Ball's upcoming YouTube documentary about how the crown jewel of Moog modular synthesizers, the IIIc formerly owned by Mort Garson (Plantasia) found its way to me. It's crazy!
14:35
Mark Barton "How Modern Digital Synthesis is More Analog than Analog"
15:33
Mixing the past with the present & what to expect on the channel
16:27
Ross Hogarth - Grammy award winning producer and super-engineer
16:46
Rob Rosen - synth tech to the stars
18:01
Doctor Mix - Claudio Passavanti, the multi-talented music producer, mixing & mastering engineer and pianist who transformed into the YouTube sensation known as Doctor Mix
18:42
Greg Phillinganes
19:27
Rob Rosen
20:03
Doctor Mix
20:48
Dina Pearlman & the Alan R. Pearlman Foundation
21:55
How to Program any Imaginable Kick Drum
22:10
Most Complex Sound on Thriller - "Billie Jean" Bass
22:18
"How to Program MJ's PYT Bass
22:30
MJ's "Beat It" Intro Real Sound and Story
22:35
The story of how iconic sounds are made & the importance of songs
24:22
Keep Commenting!
25:15
Free 100 kick drums giveaway
25:55
Anthony's Synth Course
26:19
2-way live-stream (Q & A with Anthony and You!)
26:42
SuperBooth Berlin 2024
27:12
Meet our team
30:25
Thank You!
“Why Modern Digital Synthesis Is More Analog Than Analog” - Mark Barton
*Link to Mark Barton's Paper* - ____________________________________ *🆓 EXCLUSIVE FREE CONTENT 🆓* ✅ Visit to sign up to our mailing list ✅ 🎛 Learn how to be in command of any synthesizer & develop ...
ProductionSound Design
00:42
Summary of Paper
01:18
Signal to Noise
02:23
Analog Electronics
03:08
The Listener Doesn't Care
03:41
Are There Expressive Digital Instruments?
05:25
I Sold My 1969 Moog IIIc Modular Synthesizer to Anthony
06:12
The Digital Experience
07:44
CTA
07:54
Why Mark Sold All His Analog Instruments
10:22
Mark's History Designing Great Analog & Digital Instruments
11:13
Is Anyone Building Great Expressive Digital Instruments?
17:01
Music Matters the Most
17:51
Would You Want a Digital ARP 2600 if It Sounded the Same as Analog?
20:25
Acoustic VS Electronic Instruments Was The Original Argument
21:05
Endless Possibilities OR Embracing Limitations?
23:06
Embracing Analog Unpredictability
23:45
About Mark's Latest Inventions
24:44
Conclusion
26:17
Logo (music)
Rare ARP 2600 Blue Marvin Discovery w/ Ryan Hawkins & Rob Rosen
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00:08
Music Interlude 1
00:19
The Story: Finding the Blue Marvin
06:11
Rob Rosen @RosenSound replaces the power jack
07:36
About the original modules (rectangular vs later square versions)
08:25
Under he Hood with Rob Rosen
10:21
Music Interlude 2
10:31
"Blue Marvin": 2600 vs Tonus 2600 Differences
16:36
Music Interlude 3
17:10
Missing Items compared to later models
22:40
Who was "Marvin"
23:05
AlexBallMusic Story of "Blue Marvin"
24:16
13-note chromatic scale
25:12
Keyboard Differences - "Blue Marvin" Keyboard vs ARP 3620 Keyboard
26:31
Face Differences - "Blue Marvin" 2600 Face vs Tonus 2600 Face
27:16
Making Sounds on the "Blue Marvin"
27:36
Incredible Harmonic Distortion on the "Blue Meanie" 2600
30:03
Ryan's Favorite Sounds on the "Blue Meanie 2600
31:12
Sample and Hold with a sine wave
31:45
"Blue Marvin" - Reverb
33:25
"Blue Marvin - The Way it's Built
34:33
Plugging in a Microphone
35:40
ARP 2600 Layout Designed for Learning
36:52
"Blue Marvin" at Synthplex
38:03
About Ryan Hawkins
38:21
Conclusion
39:17
End Credits Music by Ryan Hawkins
45:20
AMM Logo
Orchestra at Your Fingertips-Audio Modeling | NAMM 2024
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ProductionSound Design
00:17
Intro
01:04
Saxophone
02:20
Flute
04:41
Trumpet
06:01
Solo Violin
09:05
Cello Section
10:00
Room & Instrument Position / Divisi
11:15
3 - 5 Celli Section
12:34
Every Instance is a completely different instrument in a different room position without phasing
14:17
Moving Celli around the room with multiple articulations
17:36
Con Sordino (mutes)
19:03
Pizzicato
19:36
String articulations
21:24
Algorithmic Reverb
24:30
Musical Example
28:18
Bowing & Phrasing
30:00
Audio Modeling vs Samples
31:08
French Horn Solo
32:49
Trumpet Solo
33:19
Anthony Plays Trumpet Solo
34:00
Conclusion
34:37
Logo (music)
Osmose - Ultimate Synth Expression | NAMM 2024
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ProductionSound Design
00:14
Josh Madoff - product specialist/composer
00:28
Sensitivity tracking up, down, left, right, aftertouch, per key
01:39
Haken Audio Eagan Matrix sound engine
02:38
Per-key independent articulations
03:13
Individual note one bending
05:42
Individual note pressure sensitivity (it reads your mind)
06:07
7 macros for MIDI CC
06:42
Internal effects engine
07:06
MPE arpeggiator features
09:01
MPE arpeggiator presets
10:33
MPE arpeggiator controlling another instrument via MIDI
11:20
Wave filter distortion
12:32
Expression pedal dynamic control
13:51
Pressure glide / pressure portamento
15:28
Summary
15:54
Logo (music)
Doctor Mix & Anthony Check Out the PWM Mantis Synth | NAMM 2024
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ProductionSound Design
00:30
Walk up (music)
00:49
Meeting Mantis Co-Designer Paul Whittington
01:24
Trying out the PWM Mantis
02:22
Sweeping Multi-Mode Filters
03:33
Wave Shape Panning
04:57
Add Glide and Filter Sweeps
05:14
Paraphonic
05:40
Doctor Mix and Anthony Summary
06:18
Logo (music)
Oberheim Inspired Analog Synth - Shear Electronics Relic | NAMM 2024
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ProductionSound Design
00:18
Jacob's Story
00:53
About the "Relic" Synth
03:22
Sound Demonstration
04:18
About the Filters
05:08
"Take it to 11" (harmonic distortion)
05:56
Dry vs Reverb Sync Piano
06:44
Oberheim Inspired Sound
07:36
Plans for the "Relic"
08:10
Introduction to Cheryl Brashear (co-designer/engineer)
09:09
Anthony's Summary
09:56
Logo (music)
Stevie Wonder & MJ Keyboard Secrets by Greg Phillinganes | NAMM 2024
____________________________________ *Visit Alan R. Pearlman Foundation* Mission Statement: Our mission is to celebrate the legacy of inventor, musician, entrepreneur and engineer Alan R. Pearlman,by ...
ProductionSound Design
00:36
Announcement of Our Upcoming "Thriller" Historical Recreation & Tutorial
02:00
"Thriller" Arrangement by Rod Temperton
02:20
Quincy Jones & Bruce Swedien Approcah
03:36
Greg Tuning the ARP 2600
04:30
Fast Patching "Thriller" Bass
04:40
Greg Phillinganes personalizes the "Thriller" Bass Sound
05:34
MJ "Thriller" Bass Technique
06:30
Licks/Fills in Single Trigger Mode
08:22
Steve Wonder Technique
09:05
Stevie's Bass Palm Slide Technique
09:33
Stevie's Ribbon Pitch Bend Technique
10:43
Stevie's Trill Technique
12:01
Korg ARP 2600M Giveaway
12:59
Anthony's Message
13:40
LOGO
New Korg PS-3300 FS Deep Dive at NAMM 2024
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00:30
Introduction by Korg's Luke Edwards
01:13
Anthony's overview breakdown of the 3 Basic Modules
02:09
Anthony's overview breakdown of the Modulator Section
03:02
Anthony's overview breakdown of the Utility & Output/Mixer Section
05:01
Anthony's overview breakdown of the MIDI/USB and Librarian Section
05:34
Anthony's overview breakdown of Patching and Normals
06:00
Anthony Plays & shows how to Patch Your Own Sounds
08:08
Let's Hear the "Amazing" 3 Band Resonators
09:20
Exploring the Envelope Generator & Long Release Times
10:25
Creating a Multi-Timbral Sound from "Scratch"
12:01
Anthony breaks-down Luke's Favorite Preset Patches
14:42
Anthony Shows how to trouble-shoot when you can't hear the sound (trouble-shooting)
15:58
Anthony Breaks-down how to make a "Monster Pad" Sound
17:43
Luke shows us 2 more presets
18:03
Anthony's Summary - Why the PS 3300 FS is so powerful!
19:07
Anthony Explains How You Can Program the PS-3300 & some extra functions
21:30
Discovering the Damper Pedal Feature
22:03
Discovering the Librarian & MIDI
22:24
Closing Remarks
Bill Wolfer-The Man Behind MJ’s “Billie Jean” CS-80
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MJ’s “Beat It” - Hidden Machine Gun Sound
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ProductionSound Design
00:08
Intro
00:15
History of the "Machine Gun Sound"
00:46
Working with Michael Jackson on "Beat It"
02:14
Syncing the 16th note "Machine Gun Sound" to the drum beat
03:51
How to set the waveforms (VCO's)
05:02
How to set the Sample & Hold Generator (S&H)
05:19
How to set the Voltage Controlled Filter (VCF)
05:58
How to set the Voltage Controlled Amplifier (VCA)
07:35
Please LIKE & SUBSCRIBE to this Channel for more videos like this
07:49
How Bruce Swedien created Arrangements & Orchestrations when Mixing Thriller
09:57
Understanding the concept of the "Machine Gun Sound" to re-create it on VST's
11:25
Full Music Example
The Billie Jean Chord Stack - It’s 4 Sounds!
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ProductionSound Design
01:09
"Billie Jean" Chord Stack with 4 Yamaha CS-80's
01:44
About the Yamaha CS-80
02:36
SOUND 1 CS-80 "Strings" Breakdown (How to make it)
04:21
SOUND 1 Prophet 5 "Strings" Breakdown (How to make it)
08:56
SOUND 2 CS-80 "Brass" Breakdown (How to make it)
13:32
SOUND 3 CS-80 "Oohs" Breakdown (How to make it)
18:18
SOUND 4 Michael Sings 2-Part Harmony (The Special Ingredient)
19:07
Wrap Up
How to Supercharge Your Tracks with Filter Pedals
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ProductionSound Design
02:16
creating new Instruments by casting the personality of Filter pedals
03:18
OBX with Waldorf 2-Pole Filter
09:05
Minimoog with Korg Mr. Multi Pedal
11:22
ARP 2600 with Triple Vactrol Resonator
14:55
Jupiter 8 Pizz Bass with Prometheus Filter
20:02
Hohner Clavinet Pianet with Erica Synths Acid Box
22:58
Please Like & Subscribe if you like these videos
23:13
Moog Modular IIIc with R.A. Moog 904 Filter
26:08
Conclusion" finding new realms for writing music inspired by filter pedals
ARP 2600 Tonus vs Korg 2600 M: Synth Showdown
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ProductionSound Design
01:57
Introduction
02:32
Korg 2600m Solo
04:08
Michael Jackson's "Thriller" Bass
04:44
Logan's Run EFX Patch
05:44
Midnight Express "Chase" Bass
06:22
Waveform Shootout
10:26
Listening for subtlety in sounds
11:13
VCF Shootout
15:10
Like & Subscribe
15:28
ADSR Envelope Generator Shootout
19:29
AR Envelope Generator Shootout
22:17
2600m Reverb Demo
23:52
2 Voice Mode
26:11
Summary
27:10
Vibrato Patch
28:34
Original Music Outro
Anthony Marinelli Dr. Mix Rob Rosen Synth Jam 2 | CS80, EVS, OBX, OB8, Matrix12, Prophet, ARP 2600
Checkout Doctor Mix’s Amazing Tour Of Rosen Sound “Welcome To Synthesizer Nirvana” *🆓 EXCLUSIVE FREE CONTENT 🆓* ✅ Visit to sign up to our mailing list ✅ 🎛 Learn how to be in command of any synthesi...
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Anthony Marinelli Doctor Mix Synth Jam 1 | CS80, 73 Moog Modular, FVS, ARP 2600
Checkout Doctor Mix’s Amazing Tour Of Rosen Sound “Welcome To Synthesizer Nirvana” *🆓 EXCLUSIVE FREE CONTENT 🆓* ✅ Visit to sign up to our mailing list ✅ 🎛 Learn how to be in command of any synthesi...
ProductionSound Design
Inside World’s Rarest Fender Rhodes
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ProductionSound Design
00:33
Revealing the World's Rarest Rhodes
01:13
Inside the Mechanisim
02:44
The Tine & Tuning Fork
03:12
The Pickups
03:53
Resonation - How tines and tuning forks work together
04:57
Rhodes vs Wurlitzer mechanisms
05:30
Tuning a Rhodes
06:37
The Hammers
08:13
A Rhodes for Everyone
09:19
How to Find Ben Bove - Restorations, Rentals & Sales
How to Make Edgar Winter's Frankenstein on Synth
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00:16
"Frankenstein" Perfomance on ARP 2600
02:29
Lead Sound Breakdown
08:16
Bass Double
11:54
Frankenstein Sound
18:06
Conclusion
Wurlitzer Electric Piano Sound Comparison: 120 vs 140 140B 200
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ProductionSound Design
01:06
Ben Bove compares the Wurlitzer 200 and 140B
01:59
140B "Never Loves a Man (The Way I Loved You) by Aretha Franklin
02:45
140B "Dancin' in the Moonlight" by King Harvest
04:13
200 vs 200A Discussion
06:47
Anthony's 200 Modified for efx pedals through on-board speakers
11:01
Albhy Galuten's 120 & 140 Tube Models
11:41
120 "What'd I Say" - Ray Charles
13:09
200 "What'd I Say" - Ray Charles
13:29
140B "What'd I Say" - Ray Charles
13:39
120 "What'd I Say" - Ray Charles
14:34
Comparing Sustain of 120, 140B & 200
16:59
140 Tube Model
18:06
And the Winner Is...
10 Distortion Techniques: Every Synth Needs This
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00:51
Minimoog External Input Feedback Loop
03:49
ARP 2600 Internal Preamp Distortion
07:27
Distorted LFO's
09:46
Moogerfooger MF-104M Pedal Drive Circuit
15:08
Boss HM-2 Heavy Metal Pedal
18:14
Boss FZ-2 Hyper Fuzz Pedal
20:59
Mutron III Input Gain as Distortion Pedal
25:07
Vintage 1965 Fender Showman Amp
28:09
Joyo American Sound Pedal
32:09
Arturia Minimoog with Moogerfooger MF-104S Plug-ins
ARP 2600 Custom Mods
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01:29
Octave Switches
02:50
Preset Voltages Up and Down
04:27
ADSR Envelope Generator 10x Length
06:15
AR Envelope Generator Separate Gate
08:13
Multiples
10:16
Recap
My Favorite Eurorack Module
I have to tell you about joystick modules because they've changed my ability to perform expressively on synthesizers that don't have expressive keyboards or sophisticated built-in controllers. A joy s...
ProductionSound Design
00:24
Introduction to Demonstration
01:37
X-plane
02:12
Y-plane
03:13
VCA Envelope
04:09
Adding EFX Pedals
05:34
Summary
How I Programmed the Lead Synth on Michael Jackson’s PYT
In this video I'll show you a simple technique that I use to breakdown a sound when I need to re-create it. The most important weapon you have for programming a sound is your listening skills. I alway...
ProductionSound Design
00:31
How to breakdown a sound
01:33
Filter
02:00
Envelope
02:34
LFO / Vibrato
03:31
Conclusion
“Tom Sawyer” Legendary Synth Intro
I've Always wanted to breakdown the opening bass sound to "Tom Sawyer" by Rush. The introduction is so memorable that it sticks with us as much as the verse and chorus of the song. I'm using an Oberhe...
ProductionSound Design
00:56
Oscillators with Pulse Width Modulation
02:18
Filter & Envelope Settings
03:53
Resonance Settings
04:57
Unison Mode with 16 oscillators
05:43
Summary
Van Halen “Jump” Intro Breakdown
In this video I'll demonstrate how to create the legendary intro to Van Halen's "Jump" using a vintage Oberheim OBX synthesizer. I had the opportunity to work with Eddie on the song "Winner Takes It A...
ProductionSound Design
00:15
Story about Eddie
01:21
OBX vs OBX-A
01:54
How to create the sound
04:20
The Key to making this sound
05:10
The Oberheim sound
05:45
Effects on the sound
06:12
Sign-off
Lightning Round w/ Super Synth Tech Rob Rosen - Clip
Now it’s time for some Q and A as I asks Rob some fun questions about his favorite synths, what is the best sounding synth, what is the most expressive synth and what is the best re-issue synth and mo...
ProductionSound Design
03:38
Rob asks Questions to Anthony
12:33
Old School Meets New School
Juno 106 Under the Hood w/Rob Rosen-Clip
In this video clip we’ll see inside the Roland Juno 106. It’s a more affordable vintage synth with a streamlined architecture and digital oscillators that sound great. It’s the next level of technolog...
ProductionSound Design
01:09
Front Panel Tour
03:33
Juno 6 vs Juno 60 vs Juno 106
05:10
Anthony Plays the Juno 106
06:37
Inside the Juno 106
10:18
Prophet 5 compared to Juno 106
11:05
Why Vintage synths are worth the money?
14:39
Everybody's 1st Synthesizer
Prophet 5 Under the Hood w/ Rob Rosen-Clip
We move on to the Prophet 5 which is the first fully programable synthesizer created by Dave Smith by instituting the Z80 chip. Rob Rosen from Rosen Sound gives us a close look at his REV 1 instrument...
ProductionSound Design
01:00
Introduction to Prophet 5 Rev 1
02:43
Dave Smith Innovations
03:36
Inside the Prophet 5
08:52
Rev1 vs Rev2 vs Rev3
09:50
Z80 Microprocessor and signal path
12:11
The Keyboard and Computer Calculations
15:23
Why understand how it works?
17:10
From Analog to AI
The ONLY Modular Oberheim 8 Voice w/Rob Rosen-Clip
Rob Rosen @RosenSound take us on a tour of his One-Of-A-Kind Oberheim Modular 8 Voice System built by synth legend Casey Young. It contains 8 SEM modules, a digi-tune 220 module, an 8 voice programmer...
ProductionSound Design
01:27
Tour of the Modules
02:10
Inside the Beast
03:18
Tour of the Cards
05:20
Summary
Battle of the Modular Giants Moog vs ARP - Clip
Rob and I compete in a “Shoot Out” to find the best bass sound. It’s a 1973 Moog System 55 (played by Rob) VS an ARP 2600 (played by Anthony). You’ll learn a lot of tips and tricks from both of us abo...
ProductionSound Design
00:30
ARP 2600 Description
00:45
Shootout Rules
01:13
Description of Patches
02:31
The Battle Begins
04:38
️ LOUD VOLUME ALERT ⚠️
06:52
Summary
CS-80 Under the Hood w/ Super Tech Rob Rosen-Clip
In this video, we learn about the grandaddy of them all, the CS-80! It’s an amazing design inside and out. It functions entirely in the analog realm without any software intervention. I’ll demonstrate...
ProductionSound Design
01:05
Anthony Plays he CS-80
08:01
A Trip Inside the CS-80
10:09
Under the Keyboad
18:49
Rob removes the boards
29:02
Preset Boards
29:29
Deckard's Dream Revealed
32:05
Rebuilding a CS-80 from Scratch
35:55
Sliders and Knobs Boards
37:17
How Rob Learned to be a Technician
Rob Rosen Reveals His Ultimate Synth Collection
I hope you enjoy this rare opportunity to visit with my close friend Rob Rosen for a deep dive into his ultimate vintage synth collection. Together, we’ll see inside some of the rarest synthesizers of...
ProductionSound Design
00:01
Intro Anthony on the street in Burbank, CA
01:55
Entering Inside Rosen Sound
02:06
Meeting “P” from Chromeo and The Rosen Sound Team
03:06
Rob shows us his personal work space
11:42
Montage of Synths - Start
12:36
Anthony and Rob in “The Cabin” - a wonderland of vintage synths
13:42
Anthony explains and demonstrates features on the CS-80
20:36
CS-80 “Under the Hood” in-depth tour by Rob
53:31
Prophet 5 “Under the Hood” in-depth tour by Rob
1:12:50
Anthony Demonstrates some of the Juno 106 sounds
1:19:27
Juno-106 “Under the Hood” in-depth tour by Rob
1:28:54
One-of-a-Kind Oberheim Modular 8 Voice System tour by Rob
1:35:31
Anthony asks Rob 20 Questions about Synthesizers
1:39:09
Rob asks Anthony some Questions about Synthesizers
1:49:47
Bass Shootout: 1973 Moog System 55 VS ARP 2600
1:54:54
Shoot Out Conclusion and Bass Tips
Creating Nature Sounds on Synthesizer-Birds & Bugs
In this video I demonstrate how to program nature sounds using synthesizers. I start with a sequence I programmed in the late 80’s and saved on a 5 1/4” floppy disk which perfectly retained all the da...
ProductionSound Design
00:42
Types of synthesis available on the Synclavier (FM, resynthesis and sampling)
00:58
How to play nature sounds on the keyboard
01:25
How a nature sound is created using 2 partials and using delayed envelopes
02:49
Adding FM (frequency modulation) to add more nuance to the sound
03:15
“Think like a bird” using two different types of envelopes in each of the partials
04:31
Examples of different bugs, birds and frogs
05:14
Difference between analog and FM synthesis when making nature sounds
05:32
Anthony plays 8 tracks of nature sounds on the Synclavier Recorder (sequencer) and Summary about how to do this on your synth
Synth Bass on Steroids: The Power of EFX Pedals
In this video, Anthony reveals one of his personal favorite trade secrets. He shows us how to transform any synth bass sound into a synth bass on steroids by using various combinations of 5 different ...
ProductionSound Design
00:16
Electro Harmonix Big Muff (silicon fuzz)
01:37
MXR MX-134 Stereo Chorus
02:58
Musitronics Mu-tron Phasor II
04:19
MXR MX-118 Analog Delay
05:32
A/DA Flanger
06:53
Summary
MJ’s Thriller Frog Bass - The Search
🐸 *UPDATE! The search is over!* Check out where with new evidence we can show you the model synth (with eyewitness accounts) that was used to make the Froggie Bass sound on Thriller! In this video, A...
ProductionSound Design
02:10
Interview
08:21
Summary
Stand by Me: The Sounds I made for the Film
In this video, Anthony tells the story surrounding the musical score from (1986) hit film Stand by Me which features an All-Star cast that incudes River Phoenix, Wil Wheaton, Corey Feldman, Jerry O'Co...
ProductionSound Design
00:56
The Body
01:21
Resynthesis
02:21
Only one week to create a new score!
03:37
Performing the Score
04:51
Resynthesis (recap)
07:13
The Synclavier Sequencer
09:07
What is an ICONIC Sound?
Synclavier Product Specialist Kevin Maloney - Full Interview
In this video, I visit and talk with former New England Digital Synclavier Product Specialist Kevin Maloney while surrounded by his two Synclavier Digital Music Systems. Together, we present a complet...
ProductionSound Design
00:55
"The Incredible Sounds of the Synclavier II" Demonstration Record
06:42
Smooth Criminal
17:25
We Are the World
31:30
Resynthesis
34:08
"The Princess Bride".
37:14
Early Evolution of the Synclavier
41:14
Synclavier Additional Features (MIDI, SMPTE, polyphonic sampling voices and more memory)
42:38
Reason for Synclavier's High Cost
44:19
Later Version of the Synclavier
49:45
Conclusion
51:30
Thank You
Synclavier Under the Hood Tour
Kevin Maloney and I go inside a closet to show you the mainframe computer that makes up the famous Synclavier. We discuss the basic hardware and software components, how to boot up the system with a 5...
ProductionSound Design
MJ’s “We Are the World” Synclavier Intro
In this video Kevin Maloney and I demonstrate how the intro to 1985 Grammy winning song “We Are the World” (written by Lionel Richie and Michael Jackson) was constructed. The synthesizer sounds on the...
ProductionSound Design
MJ’s “Beat It” Intro Breakdown on Synclavier
🚨 *UPDATE:* Check out the update on the "Beat It" Intro story (and more) in Anthony's interview of Quincy Jones arranger Tom Bähler here In this video Kevin Maloney and I demonstrate how the intro so...
ProductionSound Design
1st Look At MJ's "Smooth Criminal" Bass
This is our first look at the bass sound on “Smooth Criminal” from Michael Jackson’s Bad album. In this video, former New England Digital (N.E.D.) product specialist Kevin Maloney explains how he samp...
ProductionSound Design
04:00
CAMERON JONES (SOFTWARE INVENTOR)
04:07
SYDNEY ALONSO (HARDWARE INVENTOR)
04:56
FIRE EXTINGUISHER SAMPLE
MJ’s “Beat It” Intro - Real Sound & Story
🚨 *UPDATE:* Check out the update on the "Beat It" Intro story (and more) in Anthony's interview of Quincy Jones arranger Tom Bähler here In this video Kevin Maloney demonstrates how the intro sound o...
ProductionSound Design
Blue Thunder: The Sounds I Made For The Film
In this video I breakdown the FM Synclavier sounds/sequences I made for the 1981 movie Blue Thunder, Staring Roy Scheider & Malcolm McDowell. Anthony's musical touch as both composer and performer is ...
ProductionSound Design
01:00
Synclavir
02:55
Sequencer
05:15
Digital Sound
07:05
Film Examples
09:05
Final Thoughts
MJ's Billie Jean Bass - It’s 4 Instruments!
In this video I demonstrate how the bass sound on “Billie Jean” from Michael Jackson’s Thriller album is actually 4 different instruments playing at the same time. I’ll show you how I programmed 3 dif...
ProductionSound Design
War Games: The Sounds I Made For The Film
In this video I breakdown the FM Synclavier sounds/sequences I made for the 1983 movie War Games Anthony's musical touch as both composer and performer is connected with some of the most influential c...
ProductionSound Design
How I Programmed The Synth Opening On Michael Jackson's Thriller: The Synclavier Pt.3
This video is part 3 (The Synclavier) of my step by step breakdown of the synth opening I programmed for Michael Jackson and Quincy Jones on the song Thriller. In this series Anthony breaks down some ...
ProductionSound Design
How To Program The Synth Riff From Prince's 1999
In this video Anthony programs one of his favorite Prince synth lines from "1999" on his Oberheim OBX. Anthony's musical touch as both composer and performer is connected with some of the most influen...
ProductionSound Design
00:40
Overview
01:03
Listening To The Sound
02:09
Adding Vibrato
03:31
Adding Oscillators
05:03
Adding Resonance
06:29
Keyboard Control
06:56
OBX
09:13
Recap
How I Process my TR-808 Drum Machine with OTO EFX Pedals
In this video Anthony shares how he likes to process his Roland TR-808 drum machine through some of his favorite OTO Pedals (OTO Biscuit, OTO Bim, OTO Bam & OTO Boum.) Anthony's musical touch as both ...
ProductionSound Design
How I Create Dubstep on Analog Synths (without a computer)
In this video Anthony shares how he would approach making a Dubstep synth line, 100% analog. Using his vintage MS-20 and Vintage Dr. Click. Anthony's musical touch as both composer and performer is co...
ProductionSound Design
How To Make Any Imaginable Kick Drum Sound
In this video Anthony shares how to make any imaginable kick drum sound on his Tonus Arp 2600. Anthony's musical touch as both composer and performer is connected with some of the most influential cre...
ProductionSound Design
How To Make The Synth Bass from "Da Funk" by Daft Punk
In this video I use my vintage Korg MS-20 with a Boss Super Overdrive to show you how to recreate the synth bass from Daft Punk's "Da Funk." Anthony's musical touch as both composer and performer is c...
ProductionSound Design
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